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MP-17 (1957) with Summicron 2/50 SN 1 474 861, first rigid version with brass mount; and Leicavit rapidwinders. These cameras were amongst the first 10 black paint MP cameras made

by Bee Lau
HK$ 3,000
Archival Piagment Print on Inkjet Matt Photo Paper
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MP-102 (1957) with Summicron 2/50 SN 1 468 770, first rigid version with brass mount
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0-Series Replica SN 000, with Anastigmat 3,5/50, made by unknown manufacturer with tubular viewfinder
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Prototype Fat Elmar 4/90 lens, with diamond-knurled focusing mount, and prototype FIKUS lens hood (ex-Leitz Museum M819)
11" x 16" (28cm(h) x 40.6cm(w)) | 16" x 24" (40.6cm(h) x 61cm(w)) | 24" x 36" (61cm(h) x 91.4cm(w))
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Twelve (12) pre-war prototype Leica lenses including Hektor 1,9/73 and Thambar 2,2/90 in unusual finish
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Zunow 2/100 in black/chrome finish, in original Leica screw mount, with smallest aperture at f22
11" x 16" (28cm(h) x 40.6cm(w)) | 16" x 24" (40.6cm(h) x 61cm(w)) | 24" x 36" (61cm(h) x 91.4cm(w))
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Leica III (Model F) SN 117 990 (1933), engraved “Sold by James A. Sinclair & Co. Ltd. 3 Whitehall London S.W.I.”; first type VIDOM and FIBLA clip-on spirit level
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M6 TTL ICS SN 2 555 020 (2000), an edition of the Millennium M6 with 0.85 finder for the Japanese Leica distributor, Kanto. “ICS” was engraved on the rear of the top-plate. This camera is number 20/200; with Summilux 1,4/50 SN 4 011 481 (2006)
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Leica III (Model F) SN 148 186 (1934), engraved “Lutz, Ferrando y Cia Buenos Aires” (Leica dealer in Argentina) on the bottom plate; with collapsible Summar 2/50 SN 190 592 (1933); rigid Summar 2/50 SN 190 688 (1933), both with black front rim; SOOMP lens hood and original Summar instruction booklet condition
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